吴 润曦
Wu Runxi
Profile
wurunxi@caa.edu.cn


Hi, I'm Runxi—a creative researcher passionate about design and technology.
I received my bachelor's degree (2022) in Art and Technology from the School of Innovation Design at China Academy of Art, where I was honored as a provincial and university-level outstanding graduate. I then pursued a master's degree (2025) in Art-Empowered Innovation and Technology (Intelligence and Ecology track) through the university's recommendation system. I conducted research internships at Tongji University's School of Design and Innovation in the Intelligent Big Data Visualization Lab, and later worked as a Visual Design Engineer at iFlytek.

My current goal is to become a human-computer interaction researcher. My research interests include well-being-centered interactions, future empathy design, sustainable human-computer interaction, and data narrative experiences. I explore how design can transform definitions, create compelling user experiences, and foster creative learning and sustainable development.

CV
SELECTED WORK Time · Rhythm


SELECTED WORK
时· 律 Time · Rhythm

   关键词 Keywords ：
   加速社会、节律生态、数字孪生、景观实验、交互装置
   Accelerating Society, Rhythmic Ecology, Digital Twins, Landscape Experiments, Interactive Installations


  毕业设计-研究论文 Graduation Project - Research Paper
  《加速社会语境下节律的装置艺术表达——以<时·律>为例》
   “Accelerating Rhythmic Expression in Installation Art Within an Accelerated Social Context—Taking ‘Time·Rhythm’ as an Example”设计说明 DESCRIPTION

在加速社会语境下，人类/非人类对象的节律开始被动的畸形化。我们试图将这一隐形的节律现象变得可观可感。
作品《时·律》以“京杭大运河”为例，其作为一个经历过快慢节律更迭的地域对象、饱含中国人文情怀的交通官道，见证了历史上来来往往的时间，成为在节律维度上一个相对静止的特殊点、过渡点、原点。列斐伏尔在《韵律分析元素》书中写道：“在任何地方、时间和能量消耗之间存在相互作用的地方，都有节奏。”因此我们捕捉运河不同区域的大量景观生产数据，通过机器算法学习、3d扫描、动作捕捉等技术媒介，去建立在场的数据装置与媒体影像，创造出一种互动性的数字孪生体验，邀请观者去感受：在时间空间的相遇往来中，我们的生活节律感知是如何被塑造的，去思考人的身体又将如何与景观相连。

In an accelerated social context, the rhythms of human and non-human entities begin to undergo passive distortion. We seek to render this invisible rhythmic phenomenon observable and perceptible.
Time·Rhythm takes the Beijing-Hangzhou Grand Canal as its case study. As a geographical entity that has undergone shifts in rhythmic pace, and as a transportation artery imbued with Chinese humanistic sentiment, it has witnessed the passage of time throughout history. It thus becomes a special point, a transition point, and an origin point—relatively static in the rhythmic dimension. As Lefebvre wrote in Elements of Rhythmanalysis: “Wherever there is interaction between place, time, and energy expenditure, there is rhythm.” Therefore, we captured extensive landscape production data from different sections of the canal. Through machine learning algorithms, 3D scanning, motion capture, and other technological media, we established on-site data installations and media imagery. This created an interactive digital twin experience, inviting viewers to perceive how our rhythmic sensibilities are shaped within the interplay of time and space, and to contemplate how the human body connects with the landscape.


——启发构想：“城市新陈代谢”理论：“城市的运作身体的运作”
Inspiration: “Urban Metabolism” Theory: “The city functions like a living organism.”


基于加速社会语境的微缩节律景观实验装置
Experimental Installation of Miniature Rhythmic Landscapes Based on Accelerated Social Contexts