吴 润曦
Wu Runxi
Profile
wurunxi@caa.edu.cn
Hi, I'm Runxi—a creative researcher passionate about design and technology.
I received my bachelor's degree (2022) in Art and Technology from the School of Innovation Design at China Academy of Art, where I was honored as a provincial and university-level outstanding graduate. I then pursued a master's degree (2025) in Art-Empowered Innovation and Technology (Intelligence and Ecology track) through the university's recommendation system. I conducted research internships at Tongji University's School of Design and Innovation in the Intelligent Big Data Visualization Lab, and later worked as a Visual Design Engineer at iFlytek.
My current goal is to become a human-computer interaction researcher. My research interests include well-being-centered interactions, future empathy design, sustainable human-computer interaction, and data narrative experiences. I explore how design can transform definitions, create compelling user experiences, and foster creative learning and sustainable development.
CV SELECTED WORKThe Unseen Balcony
SELECTED WORK
匿形阳台 The Unseen Balcony
关键词 Keywords ：
微气候，具身认知，生态模拟系统
Microclimate, Embodied Cognition, Ecological Simulation System
毕业设计-研究论文 Graduation Project - Research Paper
《具身视角下微气候生态模拟系统的设计研究》
“Research on the Design of Micro-Climate Ecological
Simulation System from the Perspective of Embodiment”设计说明 DESCRIPTION
《匿形阳台》是基于城市阳台空间建构的一个可交互、可漫游的微气候生态系统。观众将化身为蜜蜂形态的生态哨兵，在结合“身体系统—阳台系统—微气候系统”的复合结构中穿行。当阳台器官被重新设计为类生物结构：通风系统如肺叶呼吸，排水回路模拟心脏循环，采光表面成为感知皮肤，而塑料与电磁污染则成为亟待清除的免疫异物。作品借助蜜蜂的触角感知与群体智能，将气候数据转化为具身感知的互动体验，呈现出一个自然与技术混生共构的拟态生态体。其作为居住场域中的生态节点，在虚拟空间中转化为未来感知政治的实验平台，回应哈拉维提出的多物种共存想象，也呼应洛夫洛克对“盖娅—赛博格”共治未来的预言，质询人类居住如何与微尺度生态共同协商生存。
The Invisible Balcony is an interactive, navigable microclimate ecosystem constructed within urban balcony spaces. Visitors transform into bee-like ecological sentinels, traversing a composite structure integrating “body systems—balcony systems—microclimate systems.” When balcony organs are redesigned as bio-inspired structures—ventilation systems breathe like lung lobes, drainage circuits mimic cardiac circulation, light-capturing surfaces become sensory skin—plastic and electromagnetic pollution emerge as immune foreign bodies demanding removal. Drawing on bees' antennae perception and swarm intelligence, the work transforms climate data into embodied interactive experiences, presenting a mimetic organism where nature and technology co-evolve. Functioning as an ecological node within the living environment, it transforms into an experimental platform for future perceptual politics within virtual space. This responds to Haraway's vision of multispecies coexistence and echoes Lovelock's prophecy of a “Gaia-cyborg” co-governed future, interrogating how human habitation can negotiate survival with micro-scale ecosystems.